Taking the EVOX J8 one step further, RCF has added an 8-input Digital Mixer to the system. The onboard processing power of the innovative Z.CORE DSP provides not only full mix functions; it includes high-quality instrument FX and AMP simulations. An EVOX iOS/Android-compatible app allows to manage the JMIX8. Adding Bluetooth audio and Hi-Z instrument input,the EVOX JMIX8 combines the quality and reliability of RCF transducers and amplification with a powerful remote controllable 8-channel digital mixer
Taking the EVOX J Series one step further, RCF has added an 8-input Digital Mixer to the system. The onboard processing power of the innovative Z.CORE DSP provides not only full mix functions; it includes high-quality instrument FX and AMP simulations. An EVOX iOS/Android-compatible app allows to manage the JMIX8. Adding Bluetooth audio and Hi-Z instrument input, the EVOX JMIX8 combines the quality and reliability of RCF transducers and amplification with a powerful remote controllable 8-channel digital mixer. The all-in-one solution, superior sound quality and easy set-up and transportation make the EVOX the perfect workmate for musicians.
FiRPHASE
RCF speakers are designed by using FiRPHASE, a proprietary and advanced FIR filtering technology, conceived for delivering transparent sound, absolute clarity and perfect stereo images to the listener. The FiRPHASE algorithm optimizes dynamics, amplitude and phase patterns, ensuring at the same time minimum system latency.
PHASE MATTERS
The design of the FIR filter for this specific purpose should start from an accurate measurement of the loudspeaker phase. The FiRPHASE algorithm uses this measurement and adapts the loudspeaker’s phase without touching the amplitude equalization. The heart of the advanced technique used by FiRPHASE is a recursive method (Least Squared method) combined with a proprietary algorithm that calculates the best FIR filter coefficients set in according to amplitude and phase constraints. The algorithm corrects phase and amplitude (when necessary) by taking into account the weak points of the transducers and the resonances or cancellations due to the cabinet of the loudspeaker. Despite the design perfection of our transducers and cabinets, we realize that the phase corrections are the “missing point” for the perfection. This technique allows a deep control of phase at mid-low frequencies with relatively small filters, reaching a higher resolution than that one as theory suggests.